1.0Athens Digital Arts Festivalhttps://2022.adaf.gr/programkonstantinoshttps://2022.adaf.gr/program/author/konstantinos/rich600338<blockquote class="wp-embedded-content" data-secret="tly1mzqIFP"><a href="https://2022.adaf.gr/program/music-for-liminal-spaces-purgatory/">Music For Liminal Spaces – Purgatory</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://2022.adaf.gr/program/music-for-liminal-spaces-purgatory/embed/#?secret=tly1mzqIFP" width="600" height="338" title="“Music For Liminal Spaces – Purgatory” — Athens Digital Arts Festival" data-secret="tly1mzqIFP" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://2022.adaf.gr/program/wp-includes/js/wp-embed.min.js </script> https://2022.adaf.gr/program/wp-content/uploads/2022/05/download-6.jpg1280800In “Purgatory” [2021] the underlying code creates an original version of the piece each time it is restarted. Although always familiar no two versions are ever the same and if allowed, each composition will play endlessly, subtly evolving over time. Consciously listening to a machine compose music in real time has a strange yet pleasant […]