{"version":"1.0","provider_name":"Athens Digital Arts Festival","provider_url":"https:\/\/2022.adaf.gr\/program","author_name":"konstantinos","author_url":"https:\/\/2022.adaf.gr\/program\/author\/konstantinos\/","title":"Wounded was the dressing (not the arm) - Athens Digital Arts Festival","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"MXIvDbomgL\"><a href=\"https:\/\/2022.adaf.gr\/program\/wounded-was-the-dressing-not-the-arm\/\">Wounded was the dressing (not the arm)<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/2022.adaf.gr\/program\/wounded-was-the-dressing-not-the-arm\/embed\/#?secret=MXIvDbomgL\" width=\"600\" height=\"338\" title=\"&#8220;Wounded was the dressing (not the arm)&#8221; &#8212; Athens Digital Arts Festival\" data-secret=\"MXIvDbomgL\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/2022.adaf.gr\/program\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/2022.adaf.gr\/program\/wp-content\/uploads\/2022\/05\/Lorenzo-Peluffo_Fortuna-De-Nardo_-IMG-1.jpg","thumbnail_width":1920,"thumbnail_height":1080,"description":"With this short movie the creators wanted to relate temporality and melancholy and they chose a dreamy shape to depict this relationship. Nostalgia is generally aimed to the past but that\u2019s not its only dimension. Present\u2019s nostalgia and future\u2019s nostalgia are oxymoronic realities. Some people live in a costant condition of \u2018fading immediate\u2019, they cling [&hellip;]"}