{"id":9,"date":"2021-10-03T16:17:53","date_gmt":"2021-10-03T16:17:53","guid":{"rendered":"https:\/\/2021.adaf.gr\/?page_id=9"},"modified":"2022-05-29T00:33:01","modified_gmt":"2022-05-28T21:33:01","slug":"festival","status":"publish","type":"page","link":"https:\/\/2022.adaf.gr\/program\/festival\/","title":{"rendered":"Festival"},"content":{"rendered":"

This spring the Athens Digital Arts Festival (ADAF)<\/strong> presents FutuRetro,<\/strong> a celebratory 18<\/strong>th<\/sup><\/strong> edition<\/strong> and a five-day gathering in the heart of Athens that brings together a diverse global community of artists and an eclectic, inquisitive audience.\u00a0<\/strong><\/p>\n

From the 25<\/strong>th<\/sup><\/strong> \u2013 29<\/strong>th<\/sup><\/strong> of May<\/strong>, the building complex of former notoshome<\/strong> and Kotzia Square<\/strong> will be revived to host an innovative exciting program with works from 12 categories: Video Art, Animation, Interactive Installations, Virtual and Augmented reality (VR\/AR), Games, Digital Image, Web Art, Live Performances, Workshops, Talks and ADAF KIDS, a mini digital arts festival dedicated to children. This year ADAF is especially excited to present a curated program for the ADAF MUSIC category.<\/p>\n

The theme, FutuRetro<\/strong>, focuses on science fiction, retrofuturism and futurology and aims to present the technological milestones of today through the eyes of the past and as a foreshadowing means for the future. Marking its third year as a Hybrid Festival, the online edition of the festival, ADAF<\/strong> ONLINE, <\/strong>will be launched in the fall of 2022 as an extension to the physical edition and in an effort to make the festival and its works accessible to a truly limitless, global audience.<\/p>\n

Exhibition Space: 11:00 – 22:30
\nOutdoor Program: 20:00 – 24:00
\nLocation: Building complex of former notoshome | Kratinou 3-5, Str., Kotzia Square
\nEntrance: Straight 1, Str.
\nDates: 25 – 29 May, 2022<\/p>\n

FutuRetro<\/b><\/p>\n

Futurology as a science, is a branch of social studies, parallel to the field of History. Is postulating the\u00a0 probable, possible, and preferable scenarios and the worldviews for the future, also taking under consideration the beliefs\u00a0 and myths which imply them.<\/p>\n

A precious instrument for this field has proven the art-genre of Science Fiction, from which one can easily ascertain that what begins as fictional, especially when it comes to a \u201c technological marvel\u201d, can indeed become a reality in the future. Aeroplanes, Spaceships, Robots, Artificial Intelligence, Virtual Reality, Biotechnology, the Anthropocene era, are some of the ideas and notions that have materialized through science and technology after originally being fictitious mentions in fantasy futures or alternative realities of this art genre. Criticizing the route of contemporary and future society, Science Fiction and Futurology are often taking the form of contestation,\u00a0 while exploring the possible ramifications of innovation, in society, science and technology. With this quality they are capturing\u00a0 the \u201ccultural wallpaper\u201d and warn about its probable\u00a0 evolution.<\/p>\n

“And because today\u2019s real life so resembles day-before-yesterday\u2019s fantasy, the old-time fans are restless. Deep within, whether they admit it or not, is a feeling of disappointment and even outrage that the outer world has invaded their private domain. They feel the loss of a ‘sense of wonder’ because what was once truly confined to ‘wonder’ has now become prosaic and mundane.”\u00a0<\/i><\/p>\n

-Isaac Asimov<\/i><\/p>\n

Next to futurology comes the aesthetic movement of retrofuturism. Frequently emanating from dissatisfaction towards the present, retrofuturism is attempting a depiction of the future, as dreamed on at an earlier age, offering skepticism and implying the reevaluation of technological means. It explores the relationship of the past and the future, and in extension\u00a0 the impact of technology which appears sometimes alienating and sometimes empowering, through a nostalgic contrast. If futurism is characterised by the feverish anticipation of what will come, retrofuturism is the reminder of this anticipation.<\/p>\n

\u201cTake hold of the future or the future will take hold of you.\u201d<\/i><\/p>\n

-\u2009<\/i>Patrick Dixon<\/i><\/a>
\n<\/i><\/p>\n

The international Festival of Digital Arts in Greece, Athens Digital Arts Festival has chosen the theme RetroFuture, with a retrospective mood for its coming of age 18th edition ADAF 2022. Taking on the occasion of the contemporary discomfort and scepticism over the present time, especially after the pandemic and economic crisis, the climate change e.t.c. The festival is turning towards science fiction and retrofuturism -as part of futurology- to see the technological milestones of today both through the eyes of the past, and as foreshadowing for the future. What was the past speculating about the technology of the present? How is retro technology being reused today in the section of art-technology and science? Will the contemporary cutting edge technology e.g. NFTs, AI, Contemporary Robotics, Biotechnology e.t.c be considered the retro of tomorrow? Are the current tech speculations such as superintelligence, 3D bioprinting , mind uploading, singularity, transhumanism\u00a0 e.t.c. the actual future? What will that mean for humankind?<\/p>\n

We call for artists, scientists, intellectuals, technologist and every other creator to submit their applications to the respective categories, Installations, Video Art, Performances, Web Art, Animation, Digital Image, VR\/AR, Games, Talks, Workshops, Music, Kids (which contains all of the above addressed to children) till the 1st of March. All applications will be considered for assemblage of the 18th edition, physical and online, which will take place in spring and fall 2022 respectively. The shortlisted artists will be notified via email for the status of their application and details regarding the possible presentation of their work in any or both of the festival versions.<\/p>\n

\u201cJoin us, in seeing the future through the eyes of the past and the past through the eyes of the future\u2026\u201d<\/i><\/b><\/p>\n

#ADAF2022 #ADAF22 #TheNewRetro #Futuretro #Futurology #Sci-Fi #Retrofuturism<\/p>\n

Festival Team<\/h1>\n

Ilias Chatzichristodoulou | Founder and Director<\/strong>
\nElli-Anna Peristeraki | Art Director<\/strong>
\nLydia Lampropoulou | Production Manager<\/strong>
\nHarry Macheras | Creative Director<\/strong>
\nAlex Karantanas | Video Art Curator<\/strong>
\nMaria Triantafyllou | Animation Curator<\/strong>
\nFanis Sakellariou | Music Curator<\/strong>
\nMarianna Throuvala | Office Administrator<\/strong>
\nKaterina P. Trichia | Communication Manager<\/strong>
\nDimitris Gelbouras | Social Media Manager<\/strong>
\nNikos Chatzichristodoulou | Financial Manager<\/strong>
\nMaria Kontoudi | Production<\/strong>
\nIannis Pantazidis | Cultural Manager<\/strong>
\nLoukia Christina Florou | Hospitality Manager<\/strong>
\nFilippos Ferentinos | Audiovisual Director<\/strong>
\nClelia Thermou | Exhibition Architect<\/strong>
\nChristina Papas | Communications Consultant<\/strong>
\nMaria Stefanou | Creative Team<\/strong>
\nConstantinos Samaras | Creative Team<\/strong>
\nElwira Wojtunik [PL] | Curator, Founder & Artistic Director of Patchlab Digital Art Festival<\/strong>
\nPopesz Csaba L\u00e1ng [HU] | Curator, Founder & Artistic Director of Patchlab Digital Art Festival<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

This spring the Athens Digital Arts Festival (ADAF) presents FutuRetro, a celebratory 18th edition and a five-day gathering in the heart of Athens that brings together a diverse global community of artists and an eclectic, inquisitive audience.\u00a0 From the 25th \u2013 29th of May, the building complex of former notoshome and Kotzia Square will be 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