{"id":5210,"date":"2022-05-05T21:35:47","date_gmt":"2022-05-05T18:35:47","guid":{"rendered":"https:\/\/www.2022.adaf.gr\/program\/?p=5210"},"modified":"2022-05-05T21:35:47","modified_gmt":"2022-05-05T18:35:47","slug":"wounded-was-the-dressing-not-the-arm","status":"publish","type":"post","link":"https:\/\/2022.adaf.gr\/program\/wounded-was-the-dressing-not-the-arm\/","title":{"rendered":"Wounded was the dressing (not the arm)"},"content":{"rendered":"<p style=\"text-align: left;\">With this short movie the creators wanted to relate temporality and melancholy and they chose a dreamy shape to depict this relationship. Nostalgia is generally aimed to the past but that\u2019s not its only dimension. Present\u2019s nostalgia and future\u2019s nostalgia are oxymoronic realities. Some people live in a costant condition of \u2018fading immediate\u2019, they cling with all their strenght to a poignant present.<\/p>\n<p style=\"text-align: right;\"><span style=\"font-weight: 400;\">\u00a0Unwind this blindfold, unwind, unwind. <\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">White, white, less white. A little red, red, red, more red. <\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">(Is the sore here?). <\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">Unwind, unwind, less red, less red, less red. <\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">White, white, whiter, whiter and blindfold\u2019s off. <\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">Wounded was the dressing. Not the arm. <\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">So, could this be melancholy and nothing else?<\/span><\/p>\n<p style=\"text-align: right;\"><span style=\"font-weight: 400;\">Carmelo Bene, <\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">I appeared to the Madonna, 1983<\/p>\n<p><\/span><\/p>\n<p style=\"text-align: left;\"><strong>Lorenzo Peluffo, Fortuna De Nardo (IT)<\/strong><br \/>\nFortuna De Nardo (1996) is a fine arts student at Albertina Academy in Turin. She has taken part in several group exhibitions such as Salerno Biennale (2014), La memoria del tempo at Archeological Museum of Nola (2017), Festival del Tempo, Sermoneta (2021), Persistenze, Turin (2021), The Upcoming Art. Part 4_, Turin (2021). Her means of expression are mainly photography and video art. She\u2019s intimate, delicate, flower-lover. She is used to hide herself behind her pictures.<\/p>\n<p>Lorenzo Peluffo (1986) is a fine arts graduate of Albertina Academy in Turin. He started working on sound material dropping several tapes with many independent labels. Currently his research is focused on video, non-linear narrations and digital folklore.<\/p>\n<p>They started working together during this pandemic era so most of their works are a product of long distance collaboration. They\u2019re mainly interested in light, sound and flowers. First they gaze away into the distance and then they rephrase.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>With this short movie the creators wanted to relate temporality and melancholy and they chose a dreamy shape to depict this relationship. Nostalgia is generally aimed to the past but that\u2019s not its only dimension. Present\u2019s nostalgia and future\u2019s nostalgia are oxymoronic realities. Some people live in a costant condition of \u2018fading immediate\u2019, they cling [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":5211,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[5],"tags":[22],"class_list":["post-5210","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation","tag-it"],"blocksy_meta":{"styles_descriptor":{"styles":{"desktop":"","tablet":"","mobile":""},"google_fonts":[],"version":6}},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v23.3 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Wounded was the dressing (not the arm) - Athens Digital Arts Festival<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/2022.adaf.gr\/program\/wounded-was-the-dressing-not-the-arm\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Wounded was the dressing (not the arm) - Athens Digital Arts Festival\" \/>\n<meta property=\"og:description\" content=\"With this short movie the creators wanted to relate temporality and melancholy and they chose a dreamy shape to depict this relationship. Nostalgia is generally aimed to the past but that\u2019s not its only dimension. Present\u2019s nostalgia and future\u2019s nostalgia are oxymoronic realities. 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